Walters Ms. W.174, Missal of Eberhard von Greiffenklau Missal Calendar Temporale Ordinary of the Mass Votive masses Sanctorale Common of Saints Capitula and Collects for the Year Added Texts (late fifteenth century) Added Sequences (Germany, late fifteenth century) artist Master of Catherine of Cleves artist Masters of Zweder van Culemborg Principal cataloger Marrow, James Cataloger Devine, Alex Cataloger Dutschke, Consuelo Cataloger Herbert, Lynley Cataloger Valle, Chiara Editor Herbert, Lynley Copy editor Dibble, Charles Contributor Bockrath, Diane Contributor Boot, Christine Contributor Emery, Doug Contributor Noel, William Contributor Tabritha, Ariel Contributor Toth, Michael B. Conservator Owen, Linda Conservator Quandt, Abigail The Walters Art Museum

Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.

 The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the bishop of Utrecht (1425-1433), for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore). This Missal also features work by the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made; the Hours of Catherine of Cleves of ca. 1440 (Morgan Library & Museum, M.917 and M.945). This extremely elaborate Missal is illuminated with one full-page miniature, fifty-two column miniatures and sixty-eight historiated initials throughout the manuscript, with the temporale and sanctorale sections being particularly richly decorated. In the late fifteenth century, a selection of prayers and sequences were added to the end of the manuscript in Germany, probably Mainz, and the volume was subsequently rebound with its current brown calf over boards, blind, rebacked binding either at that time or in the early sixteenth century. Baltimore The Walters Art Museum W.174 The primary language in this manuscript is Latin. 1r - 248v Missal artist artist 1r - 6v Calendar Januarius habet dies xxxi. luna xxx Octaua sancti stephani prothomartiris Calendar of the Carthusian Order; about half-full; graded in red and black 8r - 144v Temporale Ad te levavi animam meam From the first Sunday of Advent to the 25th Sunday after the Octave of Pentecost artist artist 145r - 158v Ordinary of the Mass Gloria in excelsis deo Fols. 145r-146v: Gloria and Credo; fols. 148r-152r: prefaces; fols. 153r-158v: canon artist artist 159r - 173r Votive masses In dedicatione ecclesie Terribilis est locus iste hic domus dei From the Dedication of a Church to masses for the Dead artist artist 173r - 218v Sanctorale In vigilia sancti Andree apostoli Collecta Quaesumus omnipotens deus From the Vigil of St. Andrew to St. Catherine; notable: fol. 217v: prayers for Hugh of Lincoln artist artist 218v - 223v Common of Saints Incipit commune sanctorum incipit primo de apostolis Michi autem nimis honorati artist artist 224r - 227v Capitula and Collects for the Year In adventu domini Rorate coeli desuper et nubes pluant Temporale, Sanctorale, and Common artist artist 228r - 234v Added Texts (late fifteenth century) Secundum matheum In illo [tempore] Masses of Palm Sunday, Fourth Sunday, Circumcision, Octave of Epiphany and Remigius and Hilary, the First Sunday after the Octave of Epiphany, the Saturday after Ash Wednesday, the Saturday before Palm Sunday, and Good Friday 235r - 248v Added Sequences (Germany, late fifteenth century) In nativitate domini nostri ihesu christi Ad primam missam sequentia Grates nunc omnes reddamus domino deo Foliation: ii+25019.5 17.3 18.5 11.8 Fols. 235-250 added later (Germany, late fifteenth century)

ii, 1(4), 2(4,-4), 3-19(8), 20(8,+2 (ff.146-147-- an unsewn bifolio after 2)), 21(4,-4,+2 (ff.157-158--an unsewn bifolio after 3)), 22-30(8), 31(4), 32-33(8) None None Quires begin on fols. 1, 5, 8, 16, 24, 32, 40, 48, 56, 64, 72, 80, 88, 96, 104, 112, 120, 128, 136, 144, 154, 159, 167, 175, 183, 191 199, 207, 215, 223, 231, 235, 243

 Most of manuscript ruled with 35 lines, except for the canon (21) and fols. 231-234 (38); ruled in purple, except for the Calendar ruled in red (one column), and fols. 231-123 ruled in brown. Traces of instructions to illuminator in Dutch in the inside column, deep in the gutter of fols. 8v, 14v, 19r, 20v, 21r, 47r, 98v, 100v, 101v, 102v, 104r, 104v, 105v, 113r, 116r, 177r, 177v, 180r, 187v, 192v and 196r (most cannot be read unless the manuscript were to be disbound). Liturgical Gothic bookhand, usually in two sizes depending on liturgical function; much larger, multi-sized script used for the common of the mass, with proportionately wider spacing between the lines (21 vs. 35 lines within the same ruled space). At least three hands (fols. 1-227, 228-234), with additions in different scripts for two inserted bifolios (fols. 146-147, 157-158) and a third hand responsible for the sequences added in Germany during the late fifteenth century (fols. 235r-248v). One full-page miniature; fifty-two column miniatures; Sixty-eight historiated initials (of which the last, on fol. 235r, was added in Germany, late 15th century); large decorated initials (4-6 lines); initials in alternating gold on purple with red and blue pen flourishing (1 line), capitals stroked with red; rubrics and underlining in red; text in black ink; fols. 235-248 added later: one-line initials alternate red and blue, two-line initials in blue, and a seven-line historiated initial Undecorated Thirty-two column miniatures, fols. 8r, 17v, 19v, 20v, 24v, 31r, 39r, 47r, 56r, 65v, 72v, 77v, 79v, 83r, 88r, 89v, 95r, 98v, 99v, 100v, 101v, 102v, 104r, 104v, 105v, 111v, 113r, 116r, 123r, 124r, 125r, and 127r; twenty-five historiated initials, fols. 8v, 9v, 10r, 11r, 12r, 14v, 15v, 16v, 18v, 19r, 21r, 22r, 22v, 23v, 24r, 25v, 27r, 28r, 30r, 40r, 71v, 73v, 143r, 144r One full-page miniature, fol. 152v; ten historiated initials, fols. 145r, 148r, 149r, 149v, 150r, 151r, and 153r Two column miniatures, fols. 159r & 168v; three historiated initials, fols. 160r, 162r, and 162v Nineteen column miniatures, fols. 173r, 174r, 175r, 176r, 177r, 177v, 180r, 180v, 181r, 181v, 183r, 185v, 187v, 191r, 193v, 194v, 196r, 197v and 201v; twenty-three historiated initials, fols. 174v, 179r; 184r, 185r, 186r, 186v, 187r, 188v, 190r, 192v, 198r, 200r, 202v, 203r, 204v, 206v, 207r, 207v, 212r, 214r, 214v, 215v, and 217v Five historiated initials, fols. 218v, 219r, 220v, 221v, and 222v One historiated initial, fol. 235r King David in prayer in the Temple First Sunday in Advent Column miniature serving as a historiated initial "A," 17 lines Christ addresses the two disciples sent by John the Evangelist Second Sunday in Advent ("Dominica secunda") Historiated initial "P," 7 lines The priests and Levites interrogate John the Baptist Third Sunday in Advent ("Dominica tertia") Historiated initial "G," 7 lines A prophet Feria quarta quatuor temporum (Advent Ember Week, first Ember Day) Historiated initial "R," 5 lines A prophet Feria sexta (Advent Ember Week, second Ember Day) Historiated initial "P," 5 lines A prophet kneeling in prayer Sabbato quatuor temporum (Advent Ember Week, third Ember Day) Historiated initial "V," 5 lines Column A: John the Baptist baptizing; Column B: Annunciation to Joseph Column A: Fourth Sunday in Advent ("Dominica quarta"); Column B; Vigil of the Nativity ("In vigilia nativitatis domini") Column A: Historiated initial "R," 7 lines; Column B: Historiated initial "H," 7 lines Annunciation to the Shepherds First Christmas Mass ("Ad primam missam") Historiated initial "D," 7 lines Two shepherds look to the sky Second Christmas Mass ("In aurora") Historiated initial "L," 7 lines Nativity Third Christmas Mass; Christmas Day, "Ad summam missam" (25 December) Column miniature, 16 lines Circumcision of Jesus Feast of the Circumcision, "In circumcisione domini" (1 January) Historiated initial "D," 8 lines Nativity Sunday in the Octave of Christmas, "Dominica infra vel post nativitatem domini" (2 January) Historiated initial "D," 7 lines Adoration of the Magi Epiphany, "In die Epyphanie domini" (6 January) Column miniature, 11 lines Baptism of Christ Octave of Epiphany, "Sancti Iohannem" (13 January) Column miniature, 10 lines Christ among the Doctors First Sunday after Epiphany ("Doctrina prima post epyphinam") Historiated initial "V," 7 lines Miracle at Cana Second Sunday after Epiphany ("Dominica secunda") Historiated initial "O," 8 lines Christ healing a kneeling man Third Sunday after Epiphany ("Dominica tercia") Historiated initial "A," 8 lines Christ stills the storm at sea Fourth Sunday after Epiphany ("Dominica quatuor") Historiated initial "D," 8 lines Christ holding the Orb and a scroll, blessing Fifth Sunday after Epiphany ("Dominica quinta") Historiated initial "F," 8 lines

The scroll is inscribed with a quotation from Matt. 11:28, "Venite ad me omnes qui laboravi."

 Parable of the laborers in the vineyard Septuagesima (ninth Sunday before Easter) ("Doctrina in LXX Introitus") Column miniature, 13 lines Parable of the Sower Sexagesima, "Doctrina in LX" (Second Sunday before Ash Wednesday) Historiated initial "E," 8 lines Christ heals the blind man Quinquagesima, "Dominica in L" (The Sunday before Ash Wednesday) Historiated initial "E," 8 lines Ceremony of Ash Wednesday Ash Wednesday, "In capite ieiunii benedictio cinerum" (Beginning of Lent Ember Week) Historiated initial "D," 8 lines Praying man in half-length "Feria sexta" (Ember Day service for Lent Ember Week) Historiated initial "A," 4 lines Temptations of Christ by the Devil "Dominica in quadragesima" (First Sunday of Lent; end of Lent Ember Week) Column miniature, 14 lines Christ and the Cananite woman "Doctrina secunda," Second Sunday of Quadregesima (Lent) Column miniature, 15 lines A prophet kneeling in prayer "Feria secunda" (Service for second week of Lent) Historiated initial "R," 6 lines Christ heals the demoniac "Dominica tertia," Third Sunday of Quadragesima (Lent) Column miniature, 15 lines Miracle of the loaves and fishes "Dominica quatuor," Fourth Sunday of Quadragesima (Lent) Column miniature, 15 lines Jews take up stones to cast at Jesus "Dominica in passione domino," Sunday in Holy Week Column miniature, 17 lines Blessing of the palms "Benedictio ramorum In doctrina palmarum," "Palm Sunday Historiated initial "O," 7 lines Entry into Jerusalem "In dominica palmarum Ad missam Introitus," Palm Sunday Column miniature, 15 lines St. Matthew at his lectern "Passio domini nostri ihesu christi, Secondum matheum," Palm Sunday; Passion according to Matthew Historiated initial "I," 7 lines Mary Magdalene washes Christ's feet at Bethany "Feria secunda" (Holy Monday of Holy Week) Column miniature, 14 lines Finding of the True Cross "Feria tertia" (Holy Tuesday of Holy Week) Column miniature, 16 lines Judas receives the thirty pieces of silver "Feria quarta" (Holy Wednesday of Holy Week) Column miniature, 11 lines Last Supper "In cena domini" (Holy Thursday of Holy Week) Column miniature, 16 lines Man of Sorrows supported in the Tomb by Angels, with the Instruments of the Passion "In pasceue domini," Good Friday Column miniature, 20 lines Harrowing of Hell "Sabbato sancto," Holy Saturday Column miniature, 12 lines Resurrection Easter Sunday Column miniature, 22 lines Christ and the Apostles on the road to Emmaus "Feria secunda" (Easter Monday) Column miniature, 17 lines Christ appears to the Apostles at Jerusalem "Feria tertia" (Easter Tuesday) Column miniature, 17 lines Calling of Peter "Feria quarta" (Easter Wednesday) Column miniature, 16 lines Christ appears to Mary Magdalene at the sarcophagus; "Noli me tangere" "Feria quinta" (Easter Thursday) Column miniature, 10 lines Christ appears to the Apostles at Galilee "Feria sexta" (Easter Friday) Column miniature, 16 lines Sts. Peter and John at the empty sepulcher "Sabbato" (Easter Saturday) Column miniature, 16 lines Incredulity of St. Thomas "In octava pasche," End of Octave of Easter (also known as St. Thomas Sunday and Second Sunday of Easter) Column miniature, 16 lines Ascension "In die ascensionis domini," Ascension Column miniature, 18 lines Sacrifice of Isaac "In vigilia penthecostes," Vigil of Pentecost Column miniature, 14 lines Pentecost Pentecost or Whitsunday (beginning of Whitsun Ember Week) Column miniature, 21 lines Gnadenstuhl Trinity "De Sancta trinitate," Trinity Sunday Column miniature, 15 lines Communion "De sacramento missa," Corpus Christi Column miniature, 17 lines Parable of the rich man and poor Lazarus "Doctrina prima post octava pentecostes," First Sunday after the Octave of Pentecost Column miniature, 17 lines Repentant sinner kneels in prayer to Christ "Doctrina tertia," Third Sunday after the Octave of Pentecost Column miniature, 17 lines Christ confounds the Pharisees over the Coin of the Tribute "Doctrina XXIII," 23rd Sunday after the Octave of Pentecost Historiated initial "S," 7 lines Christ preaches to the Multitude "Doctrina XXV," 25th Sunday after the Octave of Pentecost Historiated initial "E," 6 lines Column A: Angel in half-length singing the Gloria; Column B: Praying peacon in half-length Column A: Gloria; Column B: Credo Column A: Historiated initial "G," 3 lines; Column B; Historiated initial "C," 3 lines Column A: Christ holding the orb and blessing in half-length; Column B: Virgin Mary in prayer in half-length Column A: "Prefacio de nativitate domino," Christmas; Column B: "Infra actionem" Column A: Historiated initial "P," 4 lines; Column B: Historiated initial "C," 3 lines Risen Christ in half-length Preface, Easter, "Infra canonem" Historiated initial "C," 3 lines Dove of the Holy Spirit in tongues of fire "De ascensione domini, Prefatio," Ascension Historiated initial "C," 3 lines Column A: Dove of the Holy Spirit in tongues of fire; Column B: Priest in prayer in half-length Column A: "Infra canonem," Holy Spirit; Column B: "De sancta trinitate, Prefatio" Column A: Historiated initial "C," 3 lines; Column B: Historiated initial "H," 3 lines St. Peter in prayer in half-length 'Prefatio de apostolis," Apostles Historiated initial "V," 3 lines Crucifixion Canon Full-page miniature Priest performing Mass before Two Donors Canon: "Te igitur" Historiated initial "T," 8 lines Christ bids Zaccheus descend from the Tree "In dedicatione ecclesie," Dedication of a Church Column miniature, 17 lines Gnadenstuhl Trinity "In commemoratione de sancta trinitate," Votive Mass of the Trinity Historiated initial "B," 7 lines Madonna and Child in half-length "In commemoratione benedicte marie virginis," Votive Mass of the Virgin Historiated initial "S," 6 lines Annunciation "De domina nostra in adventu," votive mass of the Virgin for Advent Historiated initial "R," 6 lines 25 March Souls in Purgatory "Pro defunctis primum," votive mass of the dead Column miniature, 18 lines St. Andrew "In vigilia sancti Andree apostoli" (30 November) Column miniature, 14 lines St. Nicholas "In festo sancti nycholai epistoli" (6 December) Column miniature, 13 lines Martyrdom of St. Lucy in half-length "Lucie virginis" (13 December) Historiated initial "M," 6 lines St. Thomas "In vigilia sancti thome apostoli" (21 December) Column miniature, 16 lines St. Stephen "De sancto stephano" (26 December) Column miniature, 16 lines St. John the Evangelist "De sancto iohanne evangelista" (27 December) Column miniature, 15 lines Massacre of the Innocents "De innocentibus" (28 December) Column miniature, 15 lines St. Anthony "Anthonii abbatis" (17 January) Historiated initial "O," 7 lines SS. Fabian and Sebastian "Fabiani et sebastiani" (20 January) Column miniature, 11 lines Martyrdom of St. Agnes "Agentis virginis" (21 January) Column miniature, 15 lines St. Vincent "De sancto vincentio" (22 January) Column miniature, 13 lines Conversion of St. Paul "In conversione sancti pauli" (25 January) Column miniature, 16 lines Presentation in the Temple "In purificatione beate marie benedicio cereorum" (2 February) Column miniature, 16 lines St. Agatha in half-length ''Agathe virginis et martyris" (5 February) Historiated initial "G," 7 lines St. Peter as pope in half-length "In cathedra sancti petri apostoli" (22 February) Historiated initial "M," 7 lines St. Matthias "Mathie apostoli" (24 February) Column miniature, 14 lines St. Gregory in half-length "Gregorii pape" (12 March) Historiated initial "D," 7 lines St. Gregory in half-length "Georgii martyris" (23 April) Historiated initial "D," 7 lines St. Mark in his study "Marci evangeliste" (25 April) Historiated initial "P," 7 lines SS. Philip and James Minor "Philipi et iacobi apostolrum" (1 May) Column miniature, 14 lines St. Helena with the True Cross in half-length "Sancti crucis" (May 21) Historiated initial "N," 8 lines Annunciation to Zacharias "In vigilia sancti iohannis baptiste," Vigil of St. John the Baptist Historiated initial "N," 7 lines Birth and naming of St. John the Baptist "In die sancto" (24 June) Column miniature, 15 lines SS. Peter and John heal the Lame Man "In vigilia petri et pauli" (26 June) Historiated initial "D," 7 lines Liberation of St. Peter "In die sancto" (29 June) Column miniature, 14 lines Martyrdom of St. Paul "In commemoratione sancti pauli" (30 June) Column miniature, 15 lines St. Mary Magdalene in the Desert "Marie magdalena" (22 July) Column miniature, 9 lines St. James Major "In die sancti Iacobi" (25 July) Column miniature, 12 lines St. Anne enthroned, with the Virgin and Child at her feet "De sancta Anna" (26 July) Historiated initial "G," 8 lines St. Lawrence, standing on his persecutor "In die festo" (10 August) Historiated initial "C," 7 lines Assumption of the Virgin "In die sancto" (15 August) Column miniature, 13 lines St. Bartholomew "In vigilia bartholomei sancti" (24 August) Historiated initial "M," 7 lines Decollation of St. John the Baptist "In decollatione Iohannis baptiste" (29 August) Historiated initial "L," 7 lines Birth of the Virgin "In nativitate beate marie virginis" (8 September) Historiated initial "G," 7 lines St. Matthew at his Lectern "Sancti matheum" (21 September) Historiated initial "M," 6 lines St. Maurice in half-length "Mauritii et aliorum martyre" (22 September) Historiated initial "G," 5 lines Saint in half-length (Jacob?) "Feria quarta quatuor temporum" (Fourth Sunday after Ash Wednesday; 23-28 September) Historiated initial "E," 6 lines 23-28 September St. Michael battles the Demon "Michaelis archangeli" (29 September) Historiated initial "B," 7 lines St. Ursula with the 11,000 Virgins beneath her cloak "Undecimi milium virginum" (21 October) Historiated initial "G," 7 lines SS. Simon and Jude in half-length "In vigilia apostolorum symonis et iude" (28 October) Historiated initial "D," 6 lines All Saints "In die sancto" (1 November) Historiated initial "G," 7 lines St. Cecilia in half-length "Ceclie virginis et martyris" (22 November) Historiated initial "M," 6 lines St. Peter in half-length Incipit de commemoratione sanctorium, Primo de apostolis Historiated initial "M," 7 lines Martyr in half-length "De uno martyre," Common: Martyr Historiated initial "L," 7 lines Bishop in half-length "De uno confesse et pontifice," Common: Confessor Historiated initial "S," 7 lines Male Saint in half-length "De confesse non pontifice", Common: Confessor Historiated initial "O," 7 lines Female saint in half-length "De una virgine et martyre," Common: Virgin martyr Historiated initial "M," 7 lines Three clerics chanting, a layman kneeling at the right In nativitate domini nostri ihesu christi ad primam missam sequentia Historiated initial "G," 7 lines

Fifteenth- or sixteenth-century brown calf over boards, blind, rebacked, corners repaired in tan calf; quadruple fillets forming a diaper pattern, sewn on five raised bands, the six panels of the spine decorated with a crossing pattern of quadruple fillets; brass clasps and catches

 Second quarter of the 15th century CE Utrecht; additions, Germany, probably Mainz Manuscript was made for Carthusian use, probably for a member of the family of Greiffenklau, perhaps Eberhard von Greiffenklau (c.1410-89), dean of the cathedral of Mainz and prebendary of Utrecht from 1446. The Greiffenklau arms appear in the lower right corner of fol. 8r (simply outlined in red and gold, uncolored; quarters with the Ippelbrunn arms--see fol. 152v, upper left, sable a bend sinister argent--in 1398 with the marriage of the daughter of Irmgard van Ippelbrunn to Eberhard's father, Frederick von Greiffenklau). However, the Greiffenklau family were nobility from near Cleves (Eberhard owned the castle of Volrat near Wesel on Rhine, in Cleves) and had no connection with Utrecht in the 1430s, so the manuscript was probably not made in Utrecht. Coat-of-arms, some erased or possibly over-painted, appear on two leaves: on fol. 8r (three angels displaying coats of arms in the top left, top right and bottom right corners of the folio and an angel bearing a crested helmet in the middle right margin of Col. B) and on fol. 152v the corners of the Crucifixion miniature display arms representing prominent patrons or members of families in the clerical hierarchy connected with the monastery (at all four corners of the frame of the Crucifixion miniature) Dr. Jacob von Hefner-Alteneck (1811-1903), director of the Bayerische Nationalmuseum and keeper of Bavarian Antiquities Jacques Rosenthal, Munich (obtained at sale of Hefner-Alteneck's estate, Munich, Galerie Hugo Helbing, June 6, 1904, II, p. 106, lot 500; 6 ills. on pls. C and D following p. 106). Henry Walters, Baltimore, probably obtained from Rosenthal, before 1931 Walters Art Museum, 1931, by Henry Walters' bequest Relevant Works Hoogewerff, G. J. Gelderse miniatuurschildes in de eerste helft van de XVde eeuw. Oud Holland. LXXVI (1961), pp.33-4, 43-4, figs. 28-32. Los Angeles County Museum. Medieval and Renaissance Illuminated Manuscripts: A Loan Exhibition, November 25, 1953-January 9, 1954. p. 27, no. 75. Bloem, Miranda. "New Light on Three Miniatures from the Egmond Breviary." Oud Holland 125 (2012): pp. 69-89 at p. 89 n. 31 (fol. 98v). De Ricci, Seymour, and W.J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York, 1935-1940, p. 776, no. 122. Delaissé, L.M.J. A Century of Dutch Manuscript Illumination. Berkeley and Los Angeles, 1968, pp. 24-25, figs. 28-34. Panofsky, E. Early Netherlandish Painting. Cambridge, Mass., Harvard University Press, 1953. Vol. I, pp. 103, 398 (no. 102); Vol. II, p. 91. Avril, François. L'Enluminure à l'époque gothique, 1200-1420. Paris: Bibliothèque de l'image, 1995, p. 126. Noel, William. "The Origins of Dutch Painting: The Beauty and Importance of Dutch Manuscripts." The Walters Magazine 51, no. 2 (1998): p. 7 (fol. 152v). Miner, D. "Dutch Illuminated Manuscripts in the Walters Art Gallery." Connoisseur Yearbook, 1955, pp. 70-74, figs. v-ix. Buck, Stephanie. Die Niederländischen Zeichnungen des 15. Jahrhunderts im Berliner Kupferstichkabinett. Turnhout: Brepols, 2001, p. 65 (fol. 19v). Oberlin College. Spring Bulletin 1960, pp. 102, 104, no. 23, ill. p. 105. Rijksmuseum. Middeleeuwse Kunst der Noordelijke Nederlanden. Amsterdam 1958, pp. 122-3, no. 154, figs. 78-80. Leson, Richard. "For This Is My Body." The Walters Magazine 61, no. 4 (2006): p. 7 (fols. 152v-153r). Byvanck, A. W. Kroniek der Noord-Nederlandsche Miniaturen, III. Oudheidkundig Jaarboek, 4th ser., IX. 1940, pp. 36-7, figs. 18-19. Foister, Susan, Sue Jones, and Delphine Cool, eds. Investigating Jan van Eyck. Turnhout: Brepols, 2000, p. 191. Calkins, Robert G. Distribution of Labor: The Illuminators of the Hours of the Catherine of Cleves and Their Workshop, Transactions of the American Philosophical Society 69, part 5 (1979), pp. 34-39, with figs. 26-33 Byvanck, A. W. De Middeleeuwsche Boekillustratie in de Noordelijke Nederlanden. Antwerp, 1943, p. 28, figs. 19-20. van Buren, Anne H., James H. Marrow, and Silvana Pettenati. Heures de Turin-Milan: Inv. no. 47, Museo Civico d'Arte Antica, Torino. Lucerne: Faksimile Verlag, 1996, fol. 79v. Miner, D. Illuminated Books of the Middle Ages and Renaissance. Baltimore: Walters Art Gallery, 1949, p.48, no. 128, pl. XLIX. Leson, Richard. "The Early History of the Bible." The Walters Magazine 59, no. 4 (2004): p. 7 (fols. 153v-154r). Priem, Rob, et al. The Hours of Catherine of Cleves: Devotion, Demons and Daily Life in the Fifteenth Century. New York: The Morgan Library & Museum, 2009, pp. 202-203, cat. no. 31. 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