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<title type="work" xml:id="n561.012562" n="item 1114">Psalter and Office of the Dead</title>
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<name xml:id="n561.012566">Kauffman, Nicholas</name>
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<name xml:id="n561.012578">Bockrath, Diane</name>
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<name xml:id="n561.012590">Toth, Michael B.</name>
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<name xml:id="n561.012593">Owen, Linda</name>
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<name xml:id="n561.012596">Quandt, Abigail</name>
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<availability xml:id="n561.012598"><p xml:id="n561.012599">Licensed for use under Creative Commons Attribution-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n561.012600"><note type="abstract" xml:id="n561.012601">This manuscript is housed in a sumptuous binding, which, though not original to the book, contains several striking medieval elements. The manuscript is listed in 1864 as coming from the collection of Guglielmo Libri, who was notorious for having ornate bindings and inscriptions added to existing manuscripts, so it is likely the binding was created for him. It was listed as an authentic, fully medieval treasure binding in Libri's catalog. Because of the fragile nature of the binding, the book was not able to be opened, and the information regarding the interior in this catalog entry is derived from earlier images and notes.</note>
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<msContents xml:id="n561.012608"><textLang xml:id="n561.012609" mainLang="lat">The primary language in this manuscript is Latin.</textLang>
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<title type="work" xml:id="n561.012612">Psalter and Office of the Dead</title>
<note type="contents" xml:id="n561.012613">Calendar missing</note>
<msItem xml:id="n561.012614" n="item 1113"><locus from="1r" xml:id="n561.012615" to="146r">1r - 146r</locus>
<title type="work" xml:id="n561.012616">Psalter</title>
<incipit xml:id="n561.012617" xml:lang="lat">Beatus vir</incipit>
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<msItem xml:id="n561.012618" n="item 1115"><locus from="146r" xml:id="n561.012619" to="152v">146r - 152v</locus>
<title type="work" xml:id="n561.012620">Office of the Dead</title>
<note type="contents" xml:id="n561.012621">Fol. 146v: Redemptor meus; fol. 147r: Requiem eternam; fol. 147v: Absolve domine; fol. 148r: Rogamus te; fol. 148v: Memento queso; fols. 148v-149r: Ne tradas; fol. 149v: Quomodo confitebor; fol. 150r: Deus eterne; fol. 150v: Libera me</note>
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<extent xml:id="n561.012627">Foliation: 152<dimensions type="leaves" xml:id="n561.012628"><height unit="cm" xml:id="n561.012629">25.0</height>
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<handDesc xml:id="n561.012641"><handNote xml:id="n561.012642" n="item 1114">Primitive Gothic textura, 5-5.5 mm high</handNote>
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<decoDesc xml:id="n561.012643"><decoNote xml:id="n561.012644" n="item 1113">Eight decorated initials</decoNote>
<decoNote xml:id="n561.012645" n="item 1114">Eight decorated initials, now badly abraded, in green, red, blue, gold, and silver (5-11 lines); rubrics and some capitals in red; text in brown ink</decoNote>
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<bindingDesc xml:id="n561.012646"><binding xml:id="n561.012647" contemporary="false"><p xml:id="n561.012648">Treasure binding made up of various elements, some medieval and some modern, put together somewhat crudely, probably in the mid nineteenth century, and likely by or for Guglielmo Libri; non-medieval oak boards; upper board has holes from earlier fastenings; spine covered in green velvet; front cover had as centerpiece a seated apostle in copper (now removed, accession no. 53.144), which would have originally decorated a medieval altar; at each corner were Mosan enamel plates (the upper two have been removed); on either side are two Rhenish bone carvings, marked "Joad" and "Davi" ("Joad" is probably not medieval); copper gilt panels at top and bottom</p>
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<history xml:id="n561.012649"><origin xml:id="n561.012650" notBefore="1200" notAfter="1250"><origDate xml:id="n561.012651">Early 13th century CE</origDate>
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<provenance xml:id="n561.012653">Guglielmo Libri, by 1864, listed as no. 57 in his sale catalog of that year; binding very possibly created for him, and sold as original</provenance>
<provenance xml:id="n561.012654">Purchased by Henry Walters, Baltimore, before 1931, possibly from Léon Gruel, Paris; cf. the pattern of the strips of gilt metal around the recess with that on W.16</provenance>
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<listBibl xml:id="n561.012656"><head xml:id="n561.012657">Relevant Works</head>
<bibl xml:id="n561.012658">De Ricci, Seymour. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935. p. 769. no. 77.</bibl>
<bibl xml:id="n561.012659">Catalogue of the Magnificent Collection of Precious Manuscripts and Objects of Art and Vertu, of M. Guglielmo Libri. Sotheby, Wilkinson &amp; Hodge, 1864, p. 18. no. 57.</bibl>
<bibl xml:id="n561.012660">Ottosen, K. The Responsories and Versicles of the Latin Office of the Dead. Aarhus, Denmark : Aarhus University Press, 1993, pp. viii, 194, 356.</bibl>
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