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<title type="work" n="item 1726" xml:id="n658.070734">Book of Hours cuttings</title>
<respStmt xml:id="n658.070735"><resp xml:id="n658.070736">Principal cataloger</resp>
<name xml:id="n658.070737">Randall, Lilian M.C.</name>
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<name xml:id="n658.070740">Herbert, Lynley</name>
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<name xml:id="n658.070743">Herbert, Lynley</name>
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<name xml:id="n658.070746">Dibble, Charles</name>
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<name xml:id="n658.070749">Emery, Doug</name>
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<name xml:id="n658.070752">Herbert, Lynley</name>
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<name xml:id="n658.070755">Noel, William</name>
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<name xml:id="n658.070758">Tabritha, Ariel</name>
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<name xml:id="n658.070761">Toth, Michael B.</name>
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<name xml:id="n658.070764">Wiegand, Kimber</name>
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<respStmt xml:id="n658.070765"><resp xml:id="n658.070766">Conservator</resp>
<name xml:id="n658.070767">Huber, Terra</name>
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<name xml:id="n658.070770">Quandt, Abigail</name>
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<publicationStmt xml:id="n658.070771"><publisher xml:id="pub-wam">The Walters Art Museum</publisher>
<availability xml:id="n658.070772"><p xml:id="n658.070773">Licensed for use under Creative Commons Attribution-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n658.070774"><note type="abstract" xml:id="n658.070775">These six full-page miniatures were originally part of a Book of Hours created in Bruges ca. 1480-90. It is unknown at what point the images were excised from the book, but at least four of them were mounted and framed ca. 1900 by the Parisian bookdealer and binder Léon Gruel. Although the book they were part of has not been identified, and may be lost, Roger Wieck has suggested a stylistic relationship between these miniatures and works by the Master of Edward IV, an artist working in Bruges ca. 1470-90. For another example of work by this artist and his circle, see Walters manuscript W.435. As there is no text remaining with the images, their original positions within the text of the manuscript they once illuminated are conjectural, and the text identifiers included here are those proposed by Lilian Randall in her catalog.</note>
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<repository xml:id="n658.070780">The Walters Art Museum</repository>
<idno xml:id="n658.070781">W.443.A-F</idno>
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<msContents xml:id="n658.070782"><textLang xml:id="n658.070783" mainLang="zxx">No linguistic content; Not applicable</textLang>
<msItem n="item 1726" xml:id="n658.070784"><locus from="W.443.A" to="W.443.F" xml:id="n658.070785">W.443.A - W.443.F</locus>
<title type="work" xml:id="n658.070786">Book of Hours cuttings</title>
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<physDesc xml:id="n658.070787"><objectDesc form="leaves" xml:id="n658.070788"><supportDesc material="parchment" xml:id="n658.070789"><support xml:id="n658.070790"><p xml:id="n658.070791">Quality uncertain as are attached to backing</p>
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<extent xml:id="n658.070792">Foliation: Six single miniatures cut from manuscript<dimensions type="leaves" xml:id="n658.070793"><height unit="cm" xml:id="n658.070794">0.0</height>
<width unit="cm" xml:id="n658.070795">0.0</width>
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<layoutDesc xml:id="n658.070796"><layout n="item 1726" xml:id="n658.070797">Sizes vary slightly; images with/without frames are as follows: W.443.A-C, E: 17.8 x 23.3/6.9 x 11.7 cm; W.443.D: 11 x 15.8/6.9 x 12 cm; W.443.F: 13.7 x 17.3/69. x 11.3 cm</layout>
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<decoDesc xml:id="n658.070798"><decoNote n="item 1726" xml:id="n658.070799">Six full-page miniatures cut from a Book of Hours, originating from the Hours of the Cross, the Hours of the Holy Spirit, and the Hours of the Virgin; the original textual relationships between the manuscript and the images, which are recorded here within the image cataloging, are conjectural, and are based on suppositions put forth by Lilian Randall in her catalog</decoNote>
<decoNote n="W.443.Ar" xml:id="n658.070800"><title xml:id="n658.070801">Crucifixion</title>
<note type="text-identifier" xml:id="n658.070802">Hours of the Cross</note>
<note type="decoration-form" xml:id="n658.070803">Full-page miniature</note>
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<decoNote n="W.443.Br" xml:id="n658.070804"><title xml:id="n658.070805">Pentecost</title>
<note type="text-identifier" xml:id="n658.070806">Hours of the Holy Spirit</note>
<note type="decoration-form" xml:id="n658.070807">Full-page miniature</note>
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<decoNote n="W.443.Cr" xml:id="n658.070808"><title xml:id="n658.070809">Visitation</title>
<note type="text-identifier" xml:id="n658.070810">Hours of the Virgin: Lauds</note>
<note type="decoration-form" xml:id="n658.070811">Full-page miniature</note>
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<decoNote n="W.443.Dr" xml:id="n658.070812"><title xml:id="n658.070813">Annunciation to the shepherds and a shepherdess</title>
<note type="text-identifier" xml:id="n658.070814">Hours of the Virgin: Terce</note>
<note type="decoration-form" xml:id="n658.070815">Full-page miniature</note>
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<decoNote n="W.443.Er" xml:id="n658.070816"><title xml:id="n658.070817">Massacre of the Innocents</title>
<note type="text-identifier" xml:id="n658.070818">Hours of the Virgin: Vespers or Compline</note>
<note type="decoration-form" xml:id="n658.070819">Full-page miniature</note>
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<decoNote n="W.443.Fr" xml:id="n658.070820"><title xml:id="n658.070821">Coronation of the Virgin before the Trinity</title>
<note type="text-identifier" xml:id="n658.070822">Hours of the Virgin: Compline or Advent Mass of the Virgin</note>
<note type="decoration-form" xml:id="n658.070823">Full-page miniature</note>
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<bindingDesc xml:id="n658.070824"><binding contemporary="inapplicable" xml:id="n658.070825"><p xml:id="n658.070826">Mounted on silk-covered card, with modern painted gold paper borders, in modern gilded frames; A, B, C, and E at least framed as a group ca. 1900 by Léon Gruel, Paris; framing of D and F possibly done separately</p>
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<history xml:id="n658.070827"><origin notAfter="1490" notBefore="1480" xml:id="n658.070828"><origDate xml:id="n658.070829">Ca. 1480-90 CE</origDate>
<origPlace xml:id="n658.070830">Bruges</origPlace>
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<provenance xml:id="n658.070831">Originally part of a Book of Hours created in Bruges ca. 1480-90 in the style of the Master of Edward IV</provenance>
<provenance xml:id="n658.070832">Gruel and Engelmann collection, Paris, ca. 1900; their bookplates on backs of frames inscribed with "145/147/148/144" for W.443.A-C and E; W.443.D inscribed "2423" and "L.85-86," with note "ex. L. Gruel"; W.443.E also inscribed "2427 1/2x," "L./94.," and "vol. 12"; W.443.F re-backed but had previously carried inscription "[M134]s" (see note in file)</provenance>
<provenance xml:id="n658.070833">Henry Walters, Baltimore, purchased from Léon Gruel on June 9, 1903 (invoice in Walters archives)</provenance>
<acquisition xml:id="n658.070834">Walters Art Museum, 1931, by Henry Walters' bequest</acquisition>
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<listBibl xml:id="n658.070835"><head xml:id="n658.070836">Relevant Works</head>
<bibl xml:id="n658.070837">De Ricci, Seymour, and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 808, cat. no. 323.</bibl>
<bibl xml:id="n658.070838">Bowles, Edmund A. "A Checklist of Musical Instruments in Fifteenth-Century Illuminated Manuscripts at the Walters Art Gallery." Quarterly Journal of the Music Library Association, 32/4 (1976): 719-726, p. 722.</bibl>
<bibl xml:id="n658.070839">Wieck, Roger S. "Masters and Manuscripts or How to Distinguish One Illuminator from Another". 42 No.4. The Walters. 04/1989:2-4.</bibl>
<bibl xml:id="n658.070840">Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3, Part 2, Belgium, 1250-1530. Baltimore and London: Johns Hopkins University Press in association with the Walters Art Gallery, 1997; pp. 436-438, cat. no. 282.</bibl>
<bibl xml:id="n658.070841">Kren, Thomas and Maryan W. Ainsworth. “Illuminators and Painters: Artistic Exchanges and Interelationships.” In Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe. Edited by Thomas Kren and Scot McKendrick, 39-58. Los Angeles: J. Paul Getty Museum, 2003; pp. 50-51.</bibl>
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