Walters Ms. W.579, PrayerMiftāḥ al-najāḥ al-mukanná bi-al-wasīlah ilá kull ḥizb wa-falāḥمفتاح النجاح المكنى بالوسيلة الى كل حزب وفلاح<note type="title" xml:id="n216.006344">Title in a later hand appears on fol. 1a</note>ʿAlī ibn Abī Ṭālib, Caliph, ca. 600-661ʿAlī ibn Abī Ṭālibعلي بن ابي طالبAuthor dates preferred by cataloger: d. 40 AH / 661 CEscribeKamāl ibn ʿAbd al-Ḥaqq al-Sabzawārīكمال بن عبد الحق السبزواريCalligrapher also illuminator (see colophon)Principal catalogerGacek, AdamCatalogerLandau, AmyCatalogerSmith, SitaEditorBockrath, DianeContributorBarrera, ChristinaContributorEmery, DougContributorHerbert, LynleyContributorNoel, WilliamContributorSimpson, ShreveContributorTabritha, ArielContributorToth, Michael B.ContributorValle, ChiaraConservatorJewell, StephanieConservatorQuandt, AbigailThe Walters Art Museum

Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.

This illuminated manuscript is of a prayer (wird) called Miftāḥ al-najāḥ, attributed to ʿAlī ibn Abī Ṭālib, the fourth caliph of Islam. According to the colophon, it was completed by Shaykh Kamāl ibn ʿAbd al-Ḥaqq al-Sabzawārī, the calligrapher and illuminator, in Astarabad (present-day Gorgan, Iran) in 941 AH / 1534 CE. The text, divided into five compartments, is in calligraphic vocalized naskh in black ink and vocalized thuluth in gold ink outlined in black. Illuminated rosettes with colored dots serve as verse markers. The decorated colophon (fol. 8b) is written in tawqīʿ/riqāʿ script in gold ink. Later bequest (waqf) seal impressions of the Vizier al-Shahīd ʿAlī Pāshā, dated 1130 AH / 1717 CE, appear on fols. 2a, 2b, and 3a. The brown leather binding with interconnected gold-tooled lobed medallions and discs and doublures with filigree decoration is original to the manuscript.BaltimoreThe Walters Art MuseumW.579The primary language in this manuscript is Arabic.fols. 2b - 8bMiftāḥ al-najāḥ al-mukanná bi-al-wasīlah ilá kull ḥizb wa-falāḥمفتاح النجاح المكنى بالوسيلة الى كل حزب وفلاح<note type="title" xml:id="n216.006399">Title in a later hand appears on fol. 1a</note>اللهم يا من دلع لسان الصباح بنطق تبلجه ...scribetammat al-daʿwāt al-mubārakāt /1/ bi-ḥamdi Allāhi taʿālá wa-mannihi al-karīm /2/ ʿalá al-yadi al-ʿabd al-mudhnib al-rājī ilá raḥmati Allāh al-maliki /3/ al-raḥīm al-bārī shaykh Kamāl ibn ʿAbd al-Ḥaqq al-Sabzawārī /4/ tajāwaza Allāhu ʿan sayyiʾatihimā bi-baldah ṭayyibah Ustarābād [sic] ḥummiyat /5/ ʿan al-afāti wa-al-balīyāti fī shuhūr sanat iḥdá wa-/6/ arbaʿīn wa-tisʿimiʾatin min al-hijrah muḥarriruhā wa-mudhahhibuhā wa-kātibuhā /7/Colophon gives the full name of the calligrapher/illuminator, Kamāl ibn ʿAbd al-Ḥaqq al-Sabzawārī, with the date 941 AH / 1534 CE and place name Astarābād

Laid paper

Foliation: i+9+i23.516.513.08.5

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Text divided into five compartments: three compartments across the written surface and two compartments indented with panels 2 cm in width on each side; framing lines in dark blue, black, gold, light green, and redWritten in calligraphic vocalized naskh script in black ink; vocalized thuluth script in gold ink outlined in black (top, middle, and bottom lines); colophon in tawqīʿ/riqāʿ script in gold ink, both vocalizedIlluminated headpiece with the basmalah in tawqīʿ script (fol. 2b); illuminated colophon (fol. 8b); text in black and gold with blue decoration, divided into compartments; polychrome text frame; contours of the thuluth-script lines decorated with blue tendrils over a ground of red hatched lines; naskh-script panels flanked by polychrome medallions with gold-tooled outlines; illuminated rosette verse markers with colored dotsIncipit with illuminated headpieceIncipit; headpieceThis manuscript opens with an illuminated headpiece containing a cartouche with the doxological formula (basmalah) in tawqīʿ script. Fluid and curvilinear, tawqīʿ script is used for headings and rarely used for the main text. As seen here, while having inscribed the headpiece in tawqīʿ script, the scribe wrote the main text in alternating black naskh and gold thuluth script. The naskh-script panels are framed by medallions with a gold outline. The contours of the thuluth-script lines are decorated with blue tendrils over a ground of red hatched lines. Gold rosettes mark the verse endings. The stamp in the right margin is the personal seal of the Vizier ʿAlī Pāshā, who gave the manuscript to an educational charity in 1130 AH / 1717 CE.Illuminated text page with sealText page; sealThis text page is defined by the use of alternating black naskh and gold thuluth scripts. The naskh-script panels are flanked by illuminated medallions with a gold outline. The gold thuluth-script lines are set apart by outlines resembling clouds. Illuminated rosettes serve as verse markers. The stamp in the left margin is the personal seal of the Vizier ʿAlī Pāshā, who gave the manuscript to an educational charity in 1130 AH / 1717 CE.Illuminated colophon signed by Shaykh Kamāl ibn ‘Abd al-Ḥaqq al-SabzawārīColophonIn this illuminated colophon, written in tawqīʿ/riqāʿ script in gold ink, it is stated that Shaykh Kamāl ibn ‘Abd al-Ḥaqq al-Sabzawārī completed the manuscript at Astarābād in 941 AH / 1534 CE.

Brown leather (with flap); interconnected gold-tooled lobed medallions and discs with vine and floral motifs; inner frame with vine and scroll motif; gold-tooled outer frame; doublures with central lobed oval and corner pendants with filigree decoration on a blue ground

941 AH / 1534 CEAstarābād (Iran)Waqf seal impression of the Vizier al-Shahīd ʿAlī Pāshā, dated 1130 AH / 1717 CE, with the original shelf mark 1414 (fols. 2a, 2b, and 3a)Walters Art Museum, 1931, by Henry Walters bequestRelevant WorksBrockelmann, Carl. Geschichte der arabischen Litteratur (New York; Köln: E.J. Brill, 1996), 1:44.ArtMedicineMuseumPoetryScriptMuhammad, the ProphetKashmiriHorsesWalters Art MuseumBlockbookDocumentGeneologyAstrologyDevotionHistoryLegalLiterature -- PoetryLiterature -- ProseLiturgyPhilosophyScienceScience -- MedicineScriptureSufismTheologyMineralogyLogicGeographyGeomancyCosmologyCartographyFortune-tellingKoranQur`anFirmanPalimpsestPrayerBibleGospelsPsalterMissalLectionaryBook of HoursAntiphonaryPrayerbookHomilaryProcessionalHorologionBreviaryHymnalChroniclePsalter/HoursMaghrebSub-Saharan (West) AfricaTurkeyAfghanistanCentral Arab Lands (Near East)Central AsiaEgyptEnglandIndiaIranIraqPakistanGermanyFranceAustriaNetherlandsEthiopiaArmeniaFlandersGreeceMamlukMughalOttomanOttonianArmenianByzantineAbbasidQajarRajputChristianArabicAustrianDutchEgyptianFatimidGermanIndianIslamicPersianSafavidTimuridTurkishUmayyadEnglishFrenchFlemishEthiopianCarolingianCalligraphyChartsColophonHeadpieceIlluminationIllustrationMedallionMiniatureOrnamentPainting'Kufic'Early Abbasid scriptRaginiRomanesqueGothicWatermarkTreasure BindingGrotesquesHistoriated initialInhabited initialCarolingian MinusculeGothic Book handWhite-vine letteringEnglish secretaryTexturaBatardaHumanisticUncialAccordion bookAlbumBookCodexManuscriptHeraldrySaint's LifeDrawingGrisailleOriginal BindingBindingNew Abbasid style8th Century9th Century10th Century11th Century12th Century13th Century14th Century15th Century16th Century17th Century18th Century19th Century20th CenturyMusical notationRussiaRomaniaCharterRussianLiturgicalDevotionalScripturalTheologicalLegalHistoricalScientificScientific -- MedicalLiterary -- ProseLiterary -- PoetryPhilosophicalAstrologicalSufiEnglishArabicBookCalligraphyCodexColophonHeadpieceHistoryIlluminationIranIslamicManuscriptOrnamentPrayerWalters Art MuseumOriginal Binding