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<title type="work" n="item 206" xml:id="n343.008519">Gospel fragment</title>
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<name xml:id="n343.008522">Walters Art Museum curatorial staff and researchers since 1934</name>
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<respStmt xml:id="n343.008526"><resp xml:id="n343.008527">Editor</resp>
<name xml:id="n343.008528">Herbert, Lynley</name>
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<name xml:id="n343.008531">Noel, William</name>
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<respStmt xml:id="n343.008532"><resp xml:id="n343.008533">Copy editor</resp>
<name xml:id="n343.008534">Bockrath, Diane</name>
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<name xml:id="n343.008537">Bockrath, Diane</name>
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<name xml:id="n343.008540">Emery, Doug</name>
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<name xml:id="n343.008543">Noel, William</name>
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<respStmt xml:id="n343.008544"><resp xml:id="n343.008545">Contributor</resp>
<name xml:id="n343.008546">Tabritha, Ariel</name>
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<respStmt xml:id="n343.008547"><resp xml:id="n343.008548">Contributor</resp>
<name xml:id="n343.008549">Toth, Michael B.</name>
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<respStmt xml:id="n343.008550"><resp xml:id="n343.008551">Conservator</resp>
<name xml:id="n343.008552">Owen, Linda</name>
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<respStmt xml:id="n343.008553"><resp xml:id="n343.008554">Conservator</resp>
<name xml:id="n343.008555">Quandt, Abigail</name>
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<publicationStmt xml:id="n343.008556"><publisher xml:id="pub-wam">The Walters Art Museum</publisher>
<availability xml:id="n343.008557"><p xml:id="n343.008558">Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n343.008559"><note type="abstract" xml:id="n343.008560">This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages are a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Rheims, Bibliothèque Municipale, Ms. 10, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1.</note>
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<repository xml:id="n343.008565">The Walters Art Museum</repository>
<idno xml:id="n343.008566">W.751</idno>
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<msContents xml:id="n343.008567"><textLang xml:id="n343.008568" mainLang="lat">The primary language in this manuscript is Latin.</textLang>
<msItem n="item 206" xml:id="n343.008569"><locus xml:id="n343.008570" to="4v" from="1v">1v - 4v</locus>
<title type="work" xml:id="n343.008571">Gospel fragment</title>
<incipit xml:id="n343.008572" xml:lang="lat">Inicium sancti evangelii secundum Lucam</incipit>
<note type="text" xml:id="n343.008573">Incomplete; only contains incipit pages for Luke, fols. 1v-2v; incipits for John, fols. 3v-4v</note>
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<physDesc xml:id="n343.008574"><objectDesc xml:id="n343.008575" form="book"><supportDesc xml:id="n343.008576" material="parchment"><support xml:id="n343.008577"><p xml:id="n343.008578">Thick, with suede surface on flesh side</p>
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<extent xml:id="n343.008579">Foliation: iii+4+ii<dimensions type="leaves" xml:id="n343.008580"><height xml:id="n343.008581" unit="cm">31.2</height>
<width xml:id="n343.008582" unit="cm">24.2</width>
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<dimensions type="written" n="item 206" xml:id="n343.008583"><height xml:id="n343.008584" unit="cm">25.3</height>
<width xml:id="n343.008585" unit="cm">19.7</width>
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<foliation xml:id="n343.008586">Two sets of foliation: seventeenth or eighteenth-century ink foliation upper right corners (fols. 93, 94, 137, and 138); modern pencil foliation very top right corner which reflect current fragmentary condition</foliation>
<collation xml:id="n343.008587"><p xml:id="n343.008588"><formula xml:id="n343.008589">iii, 1(2), 2(2), ii</formula>
<signatures xml:id="n343.008590">None</signatures>
<catchwords xml:id="n343.008591">None</catchwords>
Fragment consists of two bifolia</p>
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<layoutDesc xml:id="n343.008592"><layout n="item 206" xml:id="n343.008593" ruledLines="27" columns="1">Hard point ruling</layout>
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<decoDesc xml:id="n343.008594"><decoNote n="item 206" xml:id="n343.008595">All illumination consists of heavily decorated incipit text in gold letters on purple ground within interlace-filled frames, with letters ranging from one to twenty-two lines in height; large initial pages for Luke, fol. 2r, and John, fol. 4r, with intertwining letters decorated with knotwork and interlaced foliate designs; "Inicium" page for John, fol. 3v, has interlace cross with roundels containing birds in four quadrants, and roundels with beasts in corners; palette of  gold, purple, yellow, red, blue, lavender, and green</decoNote>
<decoNote n="fol. 1v" xml:id="n343.008596"><title xml:id="n343.008597">Frontispiece for the Gospel of Luke</title>
<note type="text-identifier" xml:id="n343.008598">Holy Gospel of Jesus Christ, according to St. Luke</note>
<note type="decoration-form" xml:id="n343.008599">Full-page miniature</note>
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<decoNote n="fol. 2r" xml:id="n343.008600"><title xml:id="n343.008601">Incipit page for the Gospel of Luke</title>
<note type="text-identifier" xml:id="n343.008602">Holy Gospel of Jesus Christ, according to St. Luke</note>
<note type="decoration-form" xml:id="n343.008603">Full-page miniature</note>
</decoNote>
<decoNote n="fol. 2v" xml:id="n343.008604"><title xml:id="n343.008605">Decorated page</title>
<note type="text-identifier" xml:id="n343.008606">Continuation of the incipit of the Gospel of St. Luke</note>
<note type="decoration-form" xml:id="n343.008607">Full-page miniature</note>
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<decoNote n="fol. 3v" xml:id="n343.008608"><title xml:id="n343.008609">Frontispiece for the Gospel of St. John</title>
<note type="text-identifier" xml:id="n343.008610">Holy Gospel of Jesus Christ, according to St. John</note>
<note type="decoration-form" xml:id="n343.008611">Full-page miniature</note>
</decoNote>
<decoNote n="fol. 4r" xml:id="n343.008612"><title xml:id="n343.008613">Incipit page for the Gospel of St. John</title>
<note type="text-identifier" xml:id="n343.008614">Holy Gospel of Jesus Christ, according to St. John</note>
<note type="decoration-form" xml:id="n343.008615">Full-page miniature</note>
</decoNote>
<decoNote n="fol. 4v" xml:id="n343.008616"><title xml:id="n343.008617">Decorated page</title>
<note type="text-identifier" xml:id="n343.008618">Continuation of the incipit of the Gospel of St. John</note>
<note type="decoration-form" xml:id="n343.008619">Full-page miniature</note>
</decoNote>
</decoDesc>
<bindingDesc xml:id="n343.008620"><binding xml:id="n343.008621" contemporary="false"><p xml:id="n343.008622">Modern English crushed dark blue morocco by W.H. Smith and Son, first half of the twentieth century; gold tooled outer fillet and lettering, which read "EVANGELIORUM FRAGMENTA MS. SAEC. IX;" inside: wide borders of morocco with triple fillet gold tooled; vellum doublure and flyleaves</p>
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<history xml:id="n343.008623"><origin xml:id="n343.008624" notBefore="0940" notAfter="0975"><origDate xml:id="n343.008625">Third quarter of the 10th century CE</origDate>
<origPlace xml:id="n343.008626">Corvey, Germany</origPlace>
</origin>
<provenance xml:id="n343.008627">Written in the Monastery of Corvey on the Weser River in Germany ca. 940-975, during the reign of Otto I, based on style and paleography</provenance>
<provenance xml:id="n343.008628">Originally part of a Gospel Book belonging to the Chapter Library of the Cathedral of Rheims until the French Revolution, now Ms. 10 in the Rheims Municipal Library</provenance>
<provenance xml:id="n343.008629">Sir Thomas Phillips, London, ca. 1855 (Ms. 14122), noted on bottom of fol. 1r</provenance>
<provenance xml:id="n343.008630">A. Chester Beatty, acquired privately from Phillips collection in December, 1920</provenance>
<acquisition xml:id="n343.008631">Walters Art Museum, Oct. 1952, from Mrs. Chester Beatty through Maggs Brothers</acquisition>
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<listBibl xml:id="n343.008632"><head xml:id="n343.008633">Relevant Works</head>
<bibl xml:id="n343.008634">Greene, Belle da Costa and Meta P. Harrsen. The Pierpont Morgan Library Exhibition of Illuminated Manuscripts. New York: Private print, 1934, p. 6, no. 11.</bibl>
<bibl xml:id="n343.008635">Wixom, W. "Twelve Masterpieces of Medieval and Renaissance Book Illumination: A Catalogue to the Exhibition: March 17 - May 17, 1964." Vol. 51. Bulletin of the Cleveland Museum of Art, 1964, pp. 43-45, no. 1.</bibl>
<bibl xml:id="n343.008636">Miner, Dorothy. "Since de Ricci - Western Illuminated Manuscripts Acquired since 1934: A Report in Two Parts: Part 1". XXIX-XXX. Journal of the Walters Art Gallery. 1966:68-103.</bibl>
<bibl xml:id="n343.008637">Korzus, Bernard. Kunst und Kultur im Weserraum, 800-1600; Ausstellung des Landes Nordrhein-Westfalen. Vol. 2. Münster in Westfalen, 1966, pp. 477-478, cat. no. 164, fig. 162 (fol. 3v).</bibl>
<bibl xml:id="n343.008638">Randall, Lillian M.C. Illuminated Manuscripts: Masterpieces in Miniature. Baltimore: Walters Art Gallery, 1984, pl. 1.</bibl>
<bibl xml:id="n343.008639">Calkins, Robert G. A Medieval Treasury: An Exhibition of Medieval Art from the Third to the Sixteenth Century. Ithaca, New York: Cornell University, Andrew Dickson White Museum of Art, 1968, pp. 114-115, no. 23.</bibl>
<bibl xml:id="n343.008640">Phillipps, Sir Thomas. The Phillipps Manuscripts: Catalogus librorum manuscriptorum in bibliotheca D. Thomae Phillipps, bt. London: Holland Press, 1968, no. 14122.</bibl>
<bibl xml:id="n343.008641">Schardt, Alois J. Das Initial: Phantasie und Buchstabenmalerei des frühen Mittelalters. Berlin: Rambrandt-verlag, 1938, pp. 58-61.</bibl>
<bibl xml:id="n343.008642">Miner, Dorothy E. The New Purple Gospel Manuscript. 5 no. 3. Bulletin of the Walters Art Gallery, 1952, pp. 1, 3-4.</bibl>
<bibl xml:id="n343.008643">Faye, C. U. and W. H. Bond. Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York, 1962, pp. 198-199, no. 567.</bibl>
<bibl xml:id="n343.008644">Queens College. The World as Symbol: an Exhibition of Medieval Art. Flushing: Paul Klapper Library, 1959, p. 26, no. 82.</bibl>
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