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<name type="supplied" xml:id="n509.717563">Gerwirch (?)</name>
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<name xml:id="n509.717566">Dutschke, Consuelo</name>
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<name xml:id="n509.717569">Herbert, Lynley</name>
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<name xml:id="n509.717572">Noel, William</name>
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<name xml:id="n509.717575">Walters Art Museum curatorial staff and researchers since 1934</name>
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<name xml:id="n509.717578">Herbert, Lynley</name>
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<name xml:id="n509.717581">Dibble, Charles</name>
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<name xml:id="n509.717584">Bockrath, Diane</name>
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<name xml:id="n509.717587">Davis, Lisa Fagin</name>
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<name xml:id="n509.717590">Emery, Doug</name>
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<name xml:id="n509.717599">Noel, William</name>
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<name xml:id="n509.717602">Tabritha, Ariel</name>
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<name xml:id="n509.717605">Toth, Michael B.</name>
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<name xml:id="n509.717608">Owen, Linda</name>
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<name xml:id="n509.717611">Quandt, Abigail</name>
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<publicationStmt xml:id="n509.717612"><publisher xml:id="pub-wam">The Walters Art Museum</publisher>
<availability xml:id="n509.717613"><p xml:id="n509.717614">Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n509.717615"><note type="abstract" xml:id="n509.717616">Originally part of an Antiphonary created in Germany in the early fourteenth century, these two nonconsecutive folios were saved for their large and ornate historiated initials. Stylistically, the images are close to the "Legendarium" of the Abbey of Heiligen Kreuz in Regensburg, and these leaves have therefore been attributed to that region as well. Other folios from this same manuscript survive in several collections: New York, Pierpont Morgan Library, Ms. M.870 (1-3), the Los Angeles County Museum (no manuscript information on file), Stockholm, National Museum (Erickson Foundation, Med. 1-4), and in the collection of Philippe Verdier in Montreal. One of the New York leaves has the name "Gerwich" inscribed beneath a historiated initial, and this has been understood by scholars to be the name of the artist. As all of the surviving initials are by the same hand, the Walters initials may be attributed to Gerwich as well.</note>
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<idno xml:id="n509.717622">W.754</idno>
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<msContents xml:id="n509.717623"><textLang mainLang="lat" xml:id="n509.717624">The primary language in this manuscript is Latin.</textLang>
<msItem xml:id="n509.717625" n="item 704"><locus from="W.754Ar" to="W.754Bv" xml:id="n509.717626">W.754Ar - W.754Bv</locus>
<title type="work" xml:id="n509.717627">Antiphonary fragment</title>
<note type="contents" xml:id="n509.717628">Incomplete; fol. 754Ar-v: the recto begins with the last words of an unknown antiphon (...uid jacet. Gloria patri et filio et spiritu sancto), continues with directions and hymns for saints honored after Christmas, and ends imperfectly on the verso with a hymn for the circumcision (peccata mundi...); fol. 754Br-v: begins imperfectly with the end to a hymn to St. Peter (...pastor ovium princeps Apostolorum), continues with a hymn to Simon Peter, which ends on the verso imperfectly (et animam meam pono...)</note>
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<extent xml:id="n509.717634">Foliation: Not applicable<dimensions type="leaves" xml:id="n509.717635"><height unit="cm" xml:id="n509.717636">49.5</height>
<width unit="cm" xml:id="n509.717637">37.2</width>
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<dimensions type="written" xml:id="n509.717638" n="item 704"><height unit="cm" xml:id="n509.717639">34.3</height>
<width unit="cm" xml:id="n509.717640">26.0</width>
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<foliation xml:id="n509.717641">These are two non-consecutive leaves; both leaves have early ink foliation: they were originally fols. 56 and 524</foliation>
<collation xml:id="n509.717642"><p xml:id="n509.717643"><formula xml:id="n509.717644">Not applicable</formula>
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<layoutDesc xml:id="n509.717645"><layout xml:id="n509.717646" columns="1" ruledLines="8" n="item 704">There are eight lines of text, but there is additional ruling for the four-stave musical notation between text lines; due to this unusual ruling pattern, initials are measured here in terms of centimeters rather than line height</layout>
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<handDesc xml:id="n509.717647"><handNote xml:id="n509.717648" n="item 704">Liturgical Gothic bookhand with rubrics in a smaller slightly less formal version of the same script; opening word in a majuscule display script in colored inks</handNote>
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<decoDesc xml:id="n509.717649"><decoNote xml:id="n509.717650" n="item 704">Two historiated initials (7.4 cm x 9.3 cm) in blue, red, green, and white against burnished gold grounds, with red and blue pen flourishes extending into margin; enlarged capitals (1.5 cm to 7 cm) in red or blue with pen decoration in the opposite color; rubrics in red; text in black ink</decoNote>
<decoNote xml:id="n509.717651" n="fol. W.754Av"><title xml:id="n509.717652">Initial "E" with the circumcision of Christ</title>
<note type="text-identifier" xml:id="n509.717653">Hymn for the circumcision</note>
<note type="decoration-form" xml:id="n509.717654">Historiated initial "E," 7.4 cm x 9.3 cm</note>
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<decoNote xml:id="n509.717655" n="fol. W.754Br"><title xml:id="n509.717656">Initial "S" with Christ giving St. Peter a key</title>
<note type="text-identifier" xml:id="n509.717657">Hymn to St. Peter</note>
<note type="decoration-form" xml:id="n509.717658">Historiated initial "S," 7.4 cm x 9.3 cm</note>
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<history xml:id="n509.717659"><origin notBefore="1300" notAfter="1325" xml:id="n509.717660"><origDate xml:id="n509.717661">Early 14th century CE</origDate>
<origPlace xml:id="n509.717662">Regensburg, Germany</origPlace>
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<provenance xml:id="n509.717663">Created in the Regensburg region of Germany in the early fourteenth century</provenance>
<provenance xml:id="n509.717664">Dominican convent of the Holy Cross, Regensburg; sold in 1876</provenance>
<acquisition xml:id="n509.717665">Purchase, S &amp; A.P. Fund, R. Stora, New York, March 1955</acquisition>
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<listBibl xml:id="n509.717666"><head xml:id="n509.717667">Relevant Works</head>
<bibl xml:id="n509.717668">Faye, C. U. and W. H. Bond. Supplement to the Census of Medieval and Renaissance Manuscripts in the United States and Canada. New York, 1962, p. 199, no. 570.</bibl>
<bibl xml:id="n509.717669">Miner, Dorothy. "Since de Ricci - Western Illuminated Manuscripts Acquired since 1934: A Report in Two Parts: Part 1." Journal of the Walters Art Gallery 29-30 (1966): pp. 68-103, at pp. 87-91, figs. 15, 16.</bibl>
<bibl xml:id="n509.717670">Stones, Alison, and John Steyaert. Medieval Illumination, Glass and Sculpture in Minnesota Collections. Minneapolis: University Gallery, University of Minnesota, 1978, p. 28.</bibl>
<bibl xml:id="n509.717671">Nordenfalk, Carl. Bokmalningar fran medeltid och renassans i Nationalmusei samlingar: en konstbok fran Nationalmuseum. Stockholm: Raben &amp; Sjogren, 1979, p. 54.</bibl>
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