Walters Ms. W.786, Processional Seventeenth/eighteenth-century processional Processional Cataloger Valle, Chiara Cataloger Walters Art Museum curatorial staff and researchers since 1934 Editor Herbert, Lynley Copy editor Dibble, Charles Contributor Bockrath, Diane Contributor Emery, Doug Contributor Hamburger, Jeffrey Contributor Noel, William Contributor Tabritha, Ariel Contributor Toth, Michael B. Conservator Owen, Linda Conservator Quandt, Abigail The Walters Art Museum

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 This manuscript contains liturgical music to be sung during processions. It is exceptional because of its "album" format (10 x 14.5 cm), which is in part the result of a severe cropping of the folios. The book was made in the late fifteenth or early sixteenth century in Germany. Its continued use is evident from the seventeenth- or eighteenth-century addition of paper folios containing prayers and music. Music is written in Gothic notation on three five-line staves per folio. The first folio is illuminated with a foliate initial for the Feast of the Purification of the Virgin. Baltimore The Walters Art Museum W.786 The primary language in this manuscript is Latin. 1r - 51v Processional In festo Purificationis beate Marie virginis. ad. processio. Ave gratia plena Dei genitrix Antiphons for liturgical feast days: fols. 1r-8r: Feast of the Purification of the Virgin (rubric on fol. 1r, reads, "In festo purificationis beate Marie virginis"); fols. 8r-18r: Feast of the Palms (rubric on fol. 8r, "In die Palmarium ad processionem"); fols. 18r-19v: Liturgy of Good Friday (rubric on fol. 18r, "In die Parasce"); fols. 19v-22v: Visit to the Tomb (rubric on fol. 19v, "In Visitatione Sepulchri"); fols. 22v-27v: Easter (rubric on fol. 22v, "In die sancto"); fols. 28r-30r: Ascension (rubric on fol. 28r, "In die Ascensio"); fols. 30r-31v: Pentecost (rubric on fol. 30r, "In die Penthe"); fols. 31v-35r: Feast of the Holy Trinity (rubric on fol. 31v, "De Sancta et Individua Trinitate"); fols. 35r-40v: the Most Blessed Sacrament (rubric on fol. 35r, "In Die Venerabilis Sacramenti"); fols. 40v-43v: Dedication of the Church (rubric on fol. 40v, "In Dedicatione Ecclesie"); the text is incomplete; fols. 44r-51v: Burial Service; (lost beginning); paper front flyleaves write two prayers in eighteenth-century cursive "Post Te Deum Laudamus" on front flyleaf iii,v, and "In Morte Pashcali" on front flyleaf iv,r; musical notation on front flyleaves ii,v and iii,r, and iv,v Text gaps after fols. 33, 34, 44, 45, and 46 Ir - Zv Seventeenth/eighteenth-century processional Cum regina gloriae Maria Fols. I-W text additions incomplete; fol. Ir, incipit, "Cum regina gloriae Maria;" fol. Rr, rubric, "In Assumptione Beate Mariae Virginis Respons;" fol. Tr, rubric, "Responsorium de Nativitate beatae Mariae;" fol. Tv, "Hymnus de Domina nostra;" fol. Wv, rubric, "In die Assumptionis Mariae ad processione"

Medium to thin parchment, trimmed on top; significantly stained from use; laid paper additions at both ends of the manuscript; the first three paper leaves at the beginning of the book, and the last three pages at the end, are heavier than the others, and were likely the flyleaves that came with the binding; the very first and last flyleaves were originally used as pastedowns; the fourth paper leaf in the front was not one of the flyleaves, and is sewn to the first parchment leaf; watermarks on fol. J; paper repairs throughout the book

 Foliation: iii+67+iii9.2 14.2 6.8 11.0 Four paper folios at the beginning are foliated with numbers (fols. 1 to 4) in pencil on top right corner, rectos; foliation starts over with the parchment folios, which have been numbered 1-51 in pencil on top right corner, rectos; the paper folios at the end of the manuscript are foliated with capitalized letters (fols. I to Z) on top right corner, rectos

1(4,-1), 2(4,-4), 3(6), 4(2), 5(6), 6(2), 7(6), 8(2), 9(6), 10(2), 11(6), 12(2), 13(6), 14(4,-2,-4), 15(8), 16(8), 17(4,-4) None None Quire 2 is composed of a paper folio sewn onto a parchment bifolium; quire 15 is composed of one parchment leaf and seven paper leaves; quires 15 and 16 are largely pieced together from individual sheets; quires begin on fols. i(1), iv(2), 3(3), 9(4), 11(5), 17(6), 19(7), 25(8), 27(9), 33(10), 35(11), 41(12), 43(13), 49(14), 51(15), P(16), X(17)

 Three five-line staves with musical notation; layout does not apply to flyleaves Gothic notation on a five-line staff; each staff has both a C clef and an F clef on its left Eighteenth-century paper additions of Processional with five-line staves; musical notation and antiphons in black ink; rubrics and initials at major text divisions in red One decorated initial (2 staves); foliate ornament at fore-edge on the same folio; rubrics in red; text and music notation in brown ink Decorated initial "A" Feast of the Purification of the Virgin Decorated initial "A," 2 staves high

Late seventeeth- or eighteenth-century brown leather binding; sides decorated with a border of triple blind fillets; at each corner are impressed three flowers; at the center, a diamond is made with this same tool repeated four times. One of two brass clasps hangs from lower cover; the other is missing.

 Late 15th-early 16th century CE (fols. 1-51); 18th century CE (fols. I-Z) Germany (Munich?) Probably made in Germany in the late fifteenth-early sixteenth century Owned by Margaret W. Hodges in the twentieth century up to 1977; front cover pastedown and note in pencil on front flyleaf ii,r Walters Art Museum, April 1977, gift of Margaret W. Hodges Relevant Works Huglo, Michel. "Souvenirs 'enchantés' de la Walters Art Gallery." Journal of the Walters Art Gallery 54 (1996): pp. 1-8. Art Medicine Museum Poetry Script Muhammad, the Prophet Kashmiri Horses Walters Art Museum Document Astrology Devotion History Legal Literature -- Poetry Literature -- Prose Liturgy Philosophy Science Science -- Medicine Scripture Sufism Theology Mineralogy Logic Geography Geomancy Cosmology Cartography Fortune-telling Koran Qur`an Firman Palimpsest Prayer Bible Gospels Psalter Missal Lectionary Book of Hours Antiphonary Homilary Processional Horologion Breviary Hymnal Chronicle Maghreb Sub-Saharan (West) Africa Turkey Afghanistan Central Asia Egypt England India Iran Iraq Pakistan Germany France Austria Netherlands Ethiopia Armenia Flanders Greece Mamluk Mughal Ottoman Ottonian Armenian Byzantine Abbasid Qajar Rajput Christian Arabic Austrian Dutch Egyptian Fatimid German Indian Islamic Persian Safavid Timurid Turkish Umayyad English French Flemish Ethiopian Carolingian Calligraphy Colophon Headpiece Illumination Illustration Medallion Miniature Ornament Painting Early Abbasid script Ragini Romanesque Gothic Watermark Grotesques Historiated initial Inhabited initial White-vine lettering Textura Batarda Humanistic Uncial Accordion book Album Book Codex Manuscript Heraldry Saint's Life Drawing Grisaille Binding New Abbasid style Musical notation Russia Romania Charter Russian Genealogy Mass book Prayer book Gospel Lectionary Psalter-Hours Treatise Grammar Gloss Pontifical Private devotional text Gradual Protective scroll Scroll 10th century 11th century 12th century 13th century 14th century 15th century 16th century 17th century 18th century 19th century 20th century 8th century 9th century Block book Caroline minuscule Central Arab lands (Near East) Chart English secretary hand Kufic Gothic book hand Original binding Treasure binding Gospel Book Spanish Spain Italian Italy Coptic Scrapbook American United States Maryland Historical Society Friendship book Friendship Biography Liturgical Devotional Scriptural Theological Legal Historical Scientific Scientific -- Medical Literary -- Prose Literary -- Poetry Philosophical Astrological Sufi English Christian Codex Manuscript Walters Art Museum German Book Germany 15th century 16th century 18th century Liturgy Musical notation Processional Watermark