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<name xml:id="n522.724509">Valle, Chiara</name>
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<name xml:id="n522.724539">Toth, Michael B.</name>
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<availability xml:id="n522.724547"><p xml:id="n522.724548">Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n522.724549"><note type="abstract" xml:id="n522.724550">This English manuscript was made in the nineteenth century, using an extremely fine parchment. It contains the fifty-third chapter of the Book of Isaiah, in English translation. The small book is composed of eight folios written and decorated on the rectos, leaving the versos blank. Script and decoration suggest that the book was conceived to imitate the style of fourteenth- or fifteenth-century French illumination. The creators, Eleanor Taylor and James Slie, signed the book on the title page, and declared their intended revival of this tradition. Each folio is embellished with border decoration showing narratives of Christ's life, as well as zoomorphic and foliate motifs in a palette of blue, red, and gold leaf. The contemporary binding is painted with a coat of arms inscribed with the motto "GANG WARILY" (proceed with caution). Although the manuscript has traditionally been considered to be of English origin, the armorial shield points to a Scottish use.</note>
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<idno xml:id="n522.724556">W.842</idno>
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<msContents xml:id="n522.724557"><textLang mainLang="eng" xml:id="n522.724558">The primary language in this manuscript is English.</textLang>
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<title type="work" xml:id="n522.724561">Book of Isaiah 53:1-12</title>
<incipit xml:lang="eng" xml:id="n522.724562">Who hast believed our report</incipit>
<note type="contents" xml:id="n522.724563">Complete text of the fifty third chapter of the book of Isaiah; fol. 1r: title page, "The fifty third chapter of the book of the Prophet Isaiah illuminated in the style of the XIV century by Eleanor Taylor and James Slie"; fols. 2r-8r: Isaiah 53:1-12</note>
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<extent xml:id="n522.724575">Foliation: ii+8+ii<dimensions type="leaves" xml:id="n522.724576"><height unit="cm" xml:id="n522.724577">24.6</height>
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<foliation xml:id="n522.724582">White silk used as pastedowns, as well as the very first and very last flyleaves; second and third flyleaves are paper; each parchment folio is preceded by tissue paper; foliation in pencil upper right corners, rectos</foliation>
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Each folio and its accompanying tissue paper held within a small sleeve of heavy paper, which is attached to the spine</p>
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<handDesc xml:id="n522.724588"><handNote xml:id="n522.724589" n="item 1107">Imitative Gothic script</handNote>
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<decoDesc xml:id="n522.724590"><decoNote xml:id="n522.724591" n="item 1107">Title page written in gold, red, blue and black ink; blue and red ground for the three lines at the beginning; border decoration throughout the book with narrative scenes and foliate ornament; three major decorated initials (3 lines) and smaller initials (1 line) for divisions of the text; text in black ink; initials in red ink for nouns and pronouns referring to the Lord; it is likely that one of the manuscript's creators was the scribe, and one the artist, and due to the ornate illumination of Eleanor Taylor's name on the title page, it is possible that she was the artist</decoNote>
<decoNote xml:id="n522.724592" n="fol. 2r"><title xml:id="n522.724593">Enthroned Christ; Holy Family; David playing the harp</title>
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<note type="decoration-form" xml:id="n522.724595">Historiated margin</note>
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<decoNote xml:id="n522.724596" n="fol. 3r"><title xml:id="n522.724597">Christ in the Garden of Gethsemane; Beast interlace; Flight into Egypt</title>
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<note type="decoration-form" xml:id="n522.724599">Historiated margin</note>
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<decoNote xml:id="n522.724600" n="fol. 4r"><title xml:id="n522.724601">Good shepherd</title>
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<note type="decoration-form" xml:id="n522.724603">Marginal medallion</note>
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<decoNote xml:id="n522.724604" n="fol. 5r"><title xml:id="n522.724605">Christ before Pilate</title>
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<decoNote xml:id="n522.724608" n="fol. 6r"><title xml:id="n522.724609">Crucifixion; Veronica</title>
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<note type="decoration-form" xml:id="n522.724611">Marginal medallions</note>
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<decoNote xml:id="n522.724612" n="fol. 7r"><title xml:id="n522.724613">Resurrection</title>
<note type="text-identifier" xml:id="n522.724614">Book of Isaiah, Chapter 53</note>
<note type="decoration-form" xml:id="n522.724615">Historiated margin</note>
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<decoNote xml:id="n522.724616" n="fol. 8r"><title xml:id="n522.724617">Christ in Heaven; Agnus Dei in quatrefoil</title>
<note type="text-identifier" xml:id="n522.724618">Book of Isaiah, Chapter 53</note>
<note type="decoration-form" xml:id="n522.724619">Historiated margins</note>
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<provenance xml:id="n522.724627">Made in the nineteenth century by Eleanor Taylor and James Slie; signatures on the title page</provenance>
<provenance xml:id="n522.724628">Edward Ripley Duggan of Wilsey Rare Books, New York, before 1997</provenance>
<acquisition xml:id="n522.724629">Walters Art Museum, 1997, acquired from Wilsey Rare Books</acquisition>
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