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<title type="work" xml:id="n659.023027" n="item 1741">Three Fragments</title>
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<name xml:id="n659.023030">Randall, Lilian M.C.</name>
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<name xml:id="n659.023033">Herbert, Lynley</name>
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<name xml:id="n659.023036">Herbert, Lynley</name>
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<name xml:id="n659.023039">Dibble, Charles</name>
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<name xml:id="n659.023042">Emery, Doug</name>
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<name xml:id="n659.023045">Herbert, Lynley</name>
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<name xml:id="n659.023054">Toth, Michael B.</name>
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<name xml:id="n659.023057">Wiegand, Kimber</name>
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<name xml:id="n659.023063">Quandt, Abigail</name>
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<availability xml:id="n659.023065"><p xml:id="n659.023066">Licensed for use under Creative Commons Attribution-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.</p>
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<notesStmt xml:id="n659.023067"><note type="abstract" xml:id="n659.023068">Three fragments salvaged from a volume of the Beaupré Antiphonary that was damaged in June 1865 during a fire that spread to Sotheby and Wilkinson in London. Six other fragments are known to exist in other collections: two leaves at the Victoria and Albert Museum (Department of Prints, Drawings, and Paintings, nos. 7939-7940); two in Brussels at the Bibliothèque Royale Albert I (nos. 3634.1-2); one in Bordeaux in the Trésor de la Cathédrale Saint-André (Collection Marcadé, no. 101); and one in Nuremberg at the Germanisches Nationalmuseum, Graphische Sammlung (Bredt 71). For full cataloging on the Beaupré Antiphonary, see the entries on the more intact volumes of the manuscript, W.759-762.</note>
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<idno xml:id="n659.023074">W.915.1-3</idno>
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<msContents xml:id="n659.023075"><textLang xml:id="n659.023076" mainLang="lat">The primary language in this manuscript is Latin.</textLang>
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<title type="work" xml:id="n659.023079">Three Fragments</title>
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<physDesc xml:id="n659.023080"><objectDesc form="leaves" xml:id="n659.023081"><supportDesc material="parchment" xml:id="n659.023082"><support xml:id="n659.023083"><p xml:id="n659.023084">Medium to heavy-weight calf parchment, very well selected and prepared</p>
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<extent xml:id="n659.023085">Foliation: Fragments<dimensions type="leaves" xml:id="n659.023086"><height unit="cm" xml:id="n659.023087">0.0</height>
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<layoutDesc xml:id="n659.023089"><layout xml:id="n659.023090" n="item 1741">Sizes vary, as the fragments are irregular in shape, therefore these measurements refer to the maximum outer dimensions the fragments : W.915.1: 15.1 x 11.0 cm; W.915.2: 13.6 x 15.3 cm; W.915.3: 14.9 x 13.0 cm</layout>
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<decoDesc xml:id="n659.023091"><decoNote xml:id="n659.023092" n="item 1741">Three historiated initials</decoNote>
<decoNote xml:id="n659.023093" n="W.915.1r"><title xml:id="n659.023094">Initial "S" with the martyrdom of St. Stephen</title>
<note type="text-identifier" xml:id="n659.023095">Office of the Nativity of St. Stephen</note>
<note type="decoration-form" xml:id="n659.023096">Historiated initial "S," 3 lines plus 3 staves high</note>
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<decoNote xml:id="n659.023097" n="W.915.2r"><title xml:id="n659.023098">Initial "H" with St. Stephen adored by a nobleman and a nun</title>
<note type="text-identifier" xml:id="n659.023099">Office of the Nativity of St. Stephen</note>
<note type="decoration-form" xml:id="n659.023100">Historiated initial "H," 2 lines plus 2 staves high</note>
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<decoNote xml:id="n659.023101" n="W.915.3r"><title xml:id="n659.023102">Initial "Q" with St. John the Evangelist in his grave</title>
<note type="text-identifier" xml:id="n659.023103">Office of the Nativity of St. John the Evangelist</note>
<note type="decoration-form" xml:id="n659.023104">Historiated initial "Q," 3 lines plus 3 staves high</note>
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<history xml:id="n659.023105"><origin xml:id="n659.023106" when="1290"><origDate xml:id="n659.023107">Ca. 1290 CE</origDate>
<origPlace xml:id="n659.023108">Hainaut</origPlace>
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<provenance xml:id="n659.023109">Illuminated in Hainaut by the scribe Johannes in 1290, for abbess Beatrix of Grammont (1269-93/94 CE), at Sainte-Marie of Beaupre</provenance>
<provenance xml:id="n659.023110">Revisions and additions; after 1476 presumably for abbess Jacquemine Hendricx and in eighteenth century for last abbess Angeline de Lossy</provenance>
<provenance xml:id="n659.023111">Abbey seized during French Revolution, volumes sold in 1797</provenance>
<provenance xml:id="n659.023112">Acquired by John Ruskin in 1850-53</provenance>
<provenance xml:id="n659.023113">Sotheby and Wilkinson sale, London, 19 February 1863, lot 742</provenance>
<provenance xml:id="n659.023114">London, June 1865, fire from house next to Sotheby and Wilkinson spread and destroyed three of the volumes, of which nine cut-out initials survive</provenance>
<provenance xml:id="n659.023115">Sir Walter Oakenshott, England, before 1970</provenance>
<provenance xml:id="n659.023116">Judith Chantry, England, before 1998</provenance>
<provenance xml:id="n659.023117">Nancy Bell, Oxford, England, acquired as gift from Judith Chantry in 1998</provenance>
<acquisition xml:id="n659.023118">The Walters Art Museum, 2004, by purchase</acquisition>
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<listBibl xml:id="n659.023119"><head xml:id="n659.023120">Relevant Works</head>
<bibl xml:id="n659.023121">Randall, Lilian M.C., "The Fragmentation of a Double Antiphonal from Beaupré." In Interpreting and Collecting Fragments of Medieval Books, eds. Linda L. Brownrigg and Margaret M. Smith, Proceedings of the Seminar in the History of the Book to 1500, Oxford 1998 (Los Altos Hills, 2000), 210-229.</bibl>
<bibl xml:id="n659.023122">Randall, Lilian M. C. "Three Newly Acquired Illuminated Initials from the Beaupre Antiphonary (W.915)." Journal of the Walters Art Museum 62 (2004): 203-207.</bibl>
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